Home » Shop » Fujifilm X-H2 w/16-80mm F4 R OIS WR Lens Mirrorless Camera
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Fujifilm X-H2 w/16-80mm F4 R OIS WR Lens Mirrorless Camera

SKU: 74441 Categories: , Brand:

$4,249.00

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  • 40MP APS-C X-Trans BSI Sensor
  • 7-Stop In-Body Image Stabilization
  • XF 16-80mm f/4 R OIS WR Lens
  • Weather Sealed Lens
  • 24-120mm (35mm Equivalent)
  • 8K 30p, 4K 60p, FHD 240p 10-bit Video
  • 160MP Pixel Shift Multishot
  • 20 fps E-Shutter, 15 fps Mech. Shutter
  • ProRes Raw, Blackmagic Raw via HDMI
  • Intelligent Hybrid Autofocus

In this kit, FUJIFILM pairs their state-of-the-art X-H2 mirrorless camera with the versatile XF 16-80mm f/4 R OIS WR Lens. The X-H2 is a high-resolution mirrorless crop-sensor camera featuring a groundbreaking 40-Megapixel BSI sensor and an arsenal of cutting-edge features packed into a small and durable X-Series body. Standing atop the X-System lineup, this durable, high-performing camera inherits many of the GFX system’s advances in imaging technology to provide image quality, detail, and colour rendition never before seen in a crop-sensor camera while retaining its characteristic compact form factor and sleek design that has garnered the X-System a loyal following worldwide.

FUJIFILM XF 16-80mm f/4 R OIS WR Lens
Well-suited for a wide variety of shooting situations, the FUJIFILM XF 16-80mm f/4 R OIS WR is a versatile 24-120mm-equivalent zoom, spanning wide-angle to medium-telephoto, and featuring a constant f/4 maximum aperture. Complementing this flexible design is an advanced optical layout, which includes a trio of aspherical elements and one ED aspherical element that helps to minimize a variety of aberrations in order to produce high sharpness and clarity. A Super EBC coating also improves contrast and colour neutrality by reducing flare and ghosting when working in strong lighting conditions. Also benefitting use in a variety of situations is a quick and quiet autofocus system along with a six-stop-effective image stabilization system that minimizes the appearance of a camera shake. Additionally, the lens is fully weather-sealed for working in inclement conditions.
Backside-Illuminated Sensor and 64-Bit Processing
X-Trans 5 BSI Sensor
Ideal for architectural, travel, and landscape photographers, the X-H2 sports a backside-illuminated, APS-C-format 40MP X-Trans 5 HR sensor, which ups the resolution and improves low-light performance compared to previous generations. First, as an X-Trans sensor, it uses the unique colour filter array that inherently minimizes moiré and contributes to more natural colour rendering; next, the BSI design helps reduce noise and improve tonality and clarity; and, finally, the design greatly reduces rolling shutter and other motion distortion to better suit high-speed video and photo applications. The remarkable resolution allows for 2x digital zoom and has up to 13 stops of dynamic range.
X-Processor 5
Partner to the newly designed sensor is a fresh engine-the X-Processor 5-which uses 64-bit processing to realize 3x faster speeds for both video and photo tasks compared to the X-T4. On the video side, this enables recording at bit rates of up to 720 mb/s. At the end of the still, this quick processing means faster shooting to suit photographing moving subjects. When working with an electronic shutter, shooting at up to 20 fps is possible, with a buffer of 202 consecutive uncompressed raw frames. With the mechanical shutter, shooting speeds of up to 15 fps are possible, along with the ability to shoot upwards of 1000 raw frames in a single burst. Benefitting both video and stills applications, this processing also benefits the sophisticated and AI-backed autofocus system, helps achieve a 14-stop dynamic range, and enables an enhanced sensitivity range from ISO 160-12800, a first for the X-System.
Powerful Video Capabilities
4K 120p and 8K 30p Internal Recording
Despite its focus on photography, the X-H2 has a well-rounded recording system. Internal 4:2:2 10-bit recording is possible in 8K at 30 fps and in both DCI/UHD 4K at up to 60 fps and Full HD at up to 240p. A variety of codecs are supported as well, including H.265 and three tiers of ProRes: the high bitrate 422 HQ, the standard 422, and the more compressed 422 LT. Also, continuous recording times up to 90 minutes are possible at all frame rates and resolutions.
External Raw Recording
Using the full-size HDMI port, 12-bit raw video recording is possible when paired with a compatible external recorder. Both ProRes RAW and Blackmagic RAW recording is possible, along with the ability to work with F-Log or F-Log 2 profiles, and either format supports working in resolutions up to the open-gate 8K.
Improved Autofocus and Image Stabilization
Hybrid AF with Deep Learning AI
Benefitted by the improved processing, autofocus performance is noticeably faster and more intelligent. This hybrid focusing system uses 425 phase-detection points and is now sensitive down to -7 EV for working in truly low-light conditions. Also, backed by deep learning, an AI adaptive algorithm means this focusing system is better suited to automatically detect and track a variety of subject types.
In-Body Image Stabilization
Built-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 7 stops. This system works in conjunction with most X Series lenses, including non-stabilized ones, and benefits from working with slower shutter speeds and when shooting in difficult lighting conditions. Additionally, digital image stabilization can also be used during video recording to further aid in steadying footage, especially when recording handheld.
Body Design
Practical and Durable Design
  • The large OLED electronic viewfinder features a crisp 5.76m-dot resolution and a 0.8x magnification for bright, clear, and detailed eye-level viewing.
  • The rear 3.0″ LCD has a high 1.62m-dot resolution and a touchscreen interface for intuitive control. Also, its vari-angle design means the screen can be flipped out to the side, tilted up or down, and closed with the screen against the body for protection.
  • 1.28″ monochrome LCD screen on the top plate is a simple means for quickly reviewing shooting settings.
  • Dual memory card slots include one CFexpress Type B slot and one SD UHS-II slot for file-saving flexibility. The CFexpress Type B slot should be prioritized for higher bitrate video recording and fast continuous shooting, and the SD slot is a convenient alternative for backups or less speed-critical shooting.
  • NP-W235 battery provides approximately 720 frames per charge when working with the EVF in Economy Mode, or approximately 580 frames in Normal Mode.
Connectivity
  • Full-size HDMI Type A port for outputting video to an external recorder or monitor.
  • USB 3.2 Gen 2 Type-C port supports tethering, data transfer, and in-camera battery charging.
  • 3.5mm headphone and external microphone ports for greater control over audio recording.
  • PC sync port for flash sync.
  • 2.5mm remote port for using wired remote controllers.
  • Integrated Bluetooth and Wi-Fi connectivity allows for wirelessly sharing images to a mobile device or using the device to remotely control the camera.
Film Simulation Modes
Film Simulation modes allow you to reproduce the look and feel of several of FUJIFILM’s film types, including Provia, Velvia, Astia, Classic Chrome, Classic Neg., Nostalgic Neg., and Pro Neg. Hi, Pro Neg. Standard, Eterna, Eterna Bleach Bypass, Acros, Monochrome, and Sepia. Additionally, Grain Effect can be adjusted as well as the Colour Chrome effect to fine-tune the look of imagery.

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Imaging
Lens Mount FUJIFILM X
Sensor Resolution Actual: 40.2 Megapixel Effective: 40 Megapixel
Sensor Type 23.5 x 15.6 mm (APS-C) CMOS
Crop Factor 1.5x
Image Stabilization Sensor-Shift, 5-Axis
Built-In ND Filter None
Capture Type Stills & Video
Exposure Control
Shutter Type Electronic Shutter, Mechanical Focal Plane Shutter
Shutter Speed Mechanical Shutter 1/8000 to 4 Seconds in Program Mode 1/8000 to 30 Seconds in Aperture Priority Mode 1/8000 to 15 Minutes in Manual Mode Up to 60 Minutes in Bulb Mode Electronic Shutter 1/8000 to 4 Seconds in Program Mode 1/8000 to 30 Seconds in Aperture Priority Mode 1/8000 to 15 Minutes in Manual Mode Fixed 1 Second in Bulb Mode
Bulb/Time Mode Bulb Mode
ISO Sensitivity Photo 125 to 12,800 in Manual, Auto Mode (Extended: 80 to 51,200) Video 125 to 12,800 in Manual, Auto Mode (Extended: 80 to 25,600)
Metering Method Average, Center-Weighted Average, Multi-Zone, Spot
Exposure Modes Aperture Priority, Auto, Manual, Program, Shutter Priority
Exposure Compensation -5 to +5 EV (1/3 EV Steps)
Metering Range 7 to 7 EV
White Balance 2500 to 100,000K Presets: Daylight, Shade, Tungsten, Underwater
Continuous Shooting Electronic Shutter Up to 20 fps for up to 1000 Frames (JPEG) / 1000 Frames (Raw) Mechanical Shutter Up to 15 fps for up to 1000 Frames (JPEG) / 1000 Frames (Raw)
Interval Recording Yes
Self-Timer 2/10-Second Delay
Still Image Capture
Image Sizes 3:2 JPEG 40 MP (7728 x 5152) 16:9 40 MP
Aspect Ratio 1:1, 3:2, 16:9
Image File Format C-RAW, HEIF, JPEG, Raw, TIFF
Bit Depth 16-Bit
Internal Video Capture
Raw Recording Blackmagic RAW, Raw 7680 x 4320 up to 29.97 fps
Recording Modes MOV/MP4/MPEG-4 AVC/ProRes 422/ProRes 422 HQ/ProRes 422LT UHD 8K (7680 x 4320) at 23.98p/24.00p/25p/29.97p [50 to 720 Mb/s] MOV/MP4/MPEG-4/ProRes 422/ProRes 422 HQ/ProRes 422LT 6.2K (6240 x 4160) at 23.98p/24.00p/25p/29.97p [50 to 720 Mb/s] DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 720 Mb/s] UHD 4K (3840 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 720 Mb/s] DCI 2K (2048 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 720 Mb/s] Full HD (1920 x 1080) at 23.98p/24.00p/25p/29.97PsF/50p/59.94p [50 to 720 Mb/s] Full HD (1920 x 1080) at 100p/119.88p/200p/240p [200 to 720 Mb/s]
Recording Limit Up to 160 Minutes for UHD 8K (7680 x 4320) at 29.97p (4:2:2 10-Bit)
Audio Recording MOV: 2-Channel 24-Bit 48 kHz LPCM Audio ProRes: 2-Channel 24-Bit 48 kHz LPCM Audio MPEG: 2-Channel 24-Bit 48 kHz LPCM Audio MP4: 2-Channel AAC Audio
External Video Capture
Raw Output HDMI In ProResRAW, Raw Mode: 7680 x 4320 12-Bit up to 29.97 fps
IP Streaming None
Interface
Media/Memory Card Slot Dual Slot: CFexpress Type B (SD Express)
Video I/O 1 x HDMI Output
Audio I/O 1 x 1/8" / 3.5 mm TRRS Headphone/Mic Input on Camera Body 1 x 1/8" / 3.5 mm TRRS Headphone/Mic Output on Camera Body
Other I/O 1 x USB Type-C
Power I/O 1 x USB Type-C Input/Output
Wireless 2.4 / 5 GHz Wi-Fi 5 (802.11ac) Bluetooth
Global Positioning (GPS, GLONASS, etc.) None
Monitor
Size 3.0"
Display Type Articulating Touchscreen LCD
Secondary Display Top: 1.28" OLED Status Display
Viewfinder
Type Built-In Electronic (OLED)
Size 0.5"
Eye Point 24 mm
Coverage 100%
Magnification Approx. 0.8x
Diopter Adjustment -5 to +3
Focus
Focus Type Auto and Manual Focus
Focus Mode Continuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus Points Photo, Video Contrast Detection, Phase Detection: 117
Built-In Flash No
Flash Modes Auto, Commander, First-Curtain Sync, Manual, Off, Second-Curtain Sync, TTL Auto
Maximum Sync Speed 250 Second
External Flash Connection Hot Shoe, PC Terminal
General
Battery Type 1 x NP-W235 Rechargeable Lithium-Ion, 7.2 VDC, 220 mAh (Approx. 720 Shots)
Tripod Mounting Thread 1 x 1/4"-20 Female (Bottom)
Accessory Mount 1 x Hot Shoe Mount on Camera Body
Dimensions (W x H x D) 5.4 x 3.7 x 3.3" / 136.3 x 92.9 x 84.6 mm
Weight 1.5 lb / 660 g (With Battery, Recording Media) 1.3 lb / 579 g (Body Only)
Kit Lens
Focal Length 16 to 80mm (35mm Equivalent Focal Length: 24 to 120mm)
Maximum Aperture f/4
Minimum Aperture f/22
Angle of View 83.2° to 20.1°
Maximum Magnification 0.25x
Minimum Focus Distance 1.1' / 35 cm
Optical Design 16 Elements in 12 Groups
Diaphragm Blades 9, Rounded
Focus Type Autofocus
Image Stabilization Yes
Filter Size 72 mm (Front)
Dimensions (ø x L) 3.1 x 3.5" / 78.3 x 88.9 mm
Length at Maximum Extension 5.2" / 131 mm
Weight 15.5 oz / 440 g

  • USB Cable
  • Shoulder Strap
  • Body Cap
  • Hot Shoe Cover
  • File Transmitter / Battery Grip Connector Cover
  • Memory Card Slot Cover
  • Sync Terminal Cover
  • Cooling Fan Connector Cover
  • Cable Protector

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